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The Workshop Service
by M. V. Montgomery

One member of our traveling troupe, a young man in his early twenties, grew uncomfortable as we pulled into a small town in a rural area. We weren’t long teasing out the story: he had grown up nearby, on his grandparents’ farm, but had had no contact with them in the years following an abrupt departure. Now his tone of genuine sorrow brought out the mothering instincts of a couple of middle-aged actresses who hugged him, encouraging him to end the breach. Don’t worry, we’ll all go, they offered.

I gave them both a dirty look—these overzealous thespians could never pass up an opportunity to be part of a dramatic scene!

So we packed up our little caravan and drove into the country. We soon spotted the farmhouse, which, according to the young man, was just as he remembered it.

As he shakily approached the door, the troupe formed a close ring behind him, partly in solidarity and partly in curiosity.

The old farmer had heard us coming, of course, opening the door before his grandson could even reach it. He was a real Grant Woods character, wrinkled from years of hard toil, yet still spry.

After the young man sputtered out a heart-felt apology, I-I’m sorry, Pop, it took only a beat or two for his grandfather to pull him close in an embrace. This time, I actually had to raise my hand to keep the others from applauding.

We were all invited inside, where a second tearful scene with the grandmother played out.

Eventually the polite question of just who we all were came up. Fortunately, we had dressed our most conservatively in honor of the occasion. Bull, a gay actor from Charleston, stepped forward and announced solemnly that we were a community of believers who had taken in the wayward lad. A couple others took his cue, suggesting we all join hands in a prayer circle.

I saw the young man frown as the rest of us took our places. But then he too linked hands with the others, lowering his head.

We all held this posture for a minute, then a few dropped out, then a few more, until soon it was just Bull with the young man, who visibly started to squirm.

Bull placed his hand on the young man’s head and made some murmuring noises. While all this was going on, the old farmer approached me on the sidelines. In a hushed tone, he invited everyone to stay for supper. He apologized for not joining the prayer circle, confiding that he and his family had always been firm atheists.

Then he paused.

But—you all are actors, right? Henry always wanted to be an actor.

I nodded, smiling. Of course, I wanted to yell out “Cut!” to the others, but it was too late to say a word to them about their little charade. When they got into workshopping this fervidly, they were already too far gone.

As if on cue now, they kicked into a chorus of “Amazing Grace.”

This was too much for the young man’s grandmother, who got up from her chair, covering part of her face with one hand, and headed off to the kitchen.

Anyone would think she was overcome with grief—but as she passed, I saw her stifling a giggle.

Now that, I told myself, is the best little job of acting I have seen all day.